Freitag, 6. Februar 2009

Back from Space

Huh, it has been a while since I was here. Well folks I can tell you, the last two months have been a pretty wild ride for me. End of November last year, I got abducted by this massive starship called ARCADA. They were in desperate need for a new janitor, since the last one had accidentally killed himself with his own mop. Well, the job was decent and they paid well, but then mid january we were attacked by these creepy aliens, dressed in red vinyl suits! Jeez, what a freakshow, I can tell you. Eventually, they killed like every living soul on board but me (because I was passed out in a closet from drinking two whole bottles of gin). When I regained the ability to walk, I hauled ass, eventually managing to get out of there in a little rescue pod. It was really nasty I can tell you. Oh yeah! Right before I left, this old dude, who was like dying, gave me a cartridge with "Astral Body" written on it. Back then I thought it was porn, so I took it. Anyway, I managed to get outta there, just before the whole thing blew up. No idea what happened there. I set the autopilot and fell asleep. When I woke up again my pod had already had a crash landing on a desert planet. It really wasn't my week. I wandered around for at least two days, finding nothing but rocks and then all of a sudden this weird spiderlike robot comes down from the sky and tries to kill me. I threw a freakin' rock at it and trashed it. Then I discovered this secret passage that led to a cave where I had to overcome a laser-barrier dodge acid dropping from the ceiling and fight against a monster that seemed to consist solely of tentacles. Eventually I found this alien dude who told me that I had to kill this monster that was terrorizing the canyon. After a couple of hours I found it and evetually got rid of it by tricking it into eating my bottle of compressed water. The result was quite disgusting. After that, the alien dude was crazily happy and gave me a skimmer to ride to the next space harbor. Before that I managed to look at the Astral Body porn on his computer, which prooved to be no porn at all, but a secret message recorded by the old guy on the ARCADA when we were attacked. Apparently the ARCADA had this star generator on board which was like really important to them. For whatever reason. I went on the skimmer and raced to Ulence Flats, the space harbor, dodging rocks on the way. Amazingly enough they had a bar there, so after I sold the shitty skimmer I got trashed at the bar, listening to the Blues Brothers who did a life performance that night. I played the one armed bandit, won a shitload of money and bought a space ship and a navigation robot. But the only coordinates I knew, were from this drunk guy at the bar, who said something about a Sarien space ship in sector HH. Oh, did I mention that the Sarien were those bastards who blew up the ARCADA? No? Well, I do so now. So, since I had nowhere to go, I was like "what the fuck, I'm gonna get that star generator back". I got into the space ship gave my robot the coordinates and BAM! I was gone. The space ship was pretty neat, so it only took me like a day to fly to sector HH. I found the Sarien Spaceship got on board, got myself a Sarien space suit and a rifle and eventually killed every single alien bastard on the ship. The only bad thing that happened was that instead of saving the star generator, I accidentally blew it up. I boarded another little ship from the Sarien one, which fortunately knew the coordinates to Xenon, the home planet of those ARCADA dudes. Well, for some weird reason they were happy about what I had done and awarded me with a golden mop. Freaks. They brought me home afterwards, but it took quite a while to get here. Apparently we live like in the most shithole galaxy there is. So yeah, that was my story. Since I'm back now, I'm gonna post more frequently on this board. Oh, one more thing. Outer Space has shit graphics!

Samstag, 15. November 2008

Super Mario Galaxy Revisited


When Super Mario Galaxy came out for the Nintendo Wii last year, I was super excited. Ever since his first adventure for the GameBoy I have been a huge fan of the little plumber from Brooklyn and just like Nintendo wants me to, I celebrate each Mario game for the new console as one of the absolute highlights in their line-up.

While I was a little too young to woo for Mario's adventures for the NES, I loved both Super Mario Land 1 and 2 for the GameBoy. Then came the SNES and with him Super Mario World. Like Tetris came with the GameBoy, Super Mario World came in a bundle with the Super Nintendo. Only Nintendo would include one of the best games for a console with the console itself and therefore ensure that nobody missed out on what I think of as maybe the single most perfect Jump and Run of all time. There were no flaws in Super Mario World, nothing to improve. The learning curve was perfect, the graphics were awesome, the music was brilliant, and the gameplay was just out-of-this-world amazing. I think Nintendo realized that with SMW they had created the perfect Jump and Run because after this game, Mario games were developed with a much lower frequency and always tried a different angle towards the Jump-and-Run genre than their predecessors did.

One more Mario Game would come out for the Super Nintendo: "Super Mario World 2: Yoshi's Island" put Mario's dinosaur Yoshi in the spotlight, but Baby Mario, precious fright and active player, still played a major role in it and the game should therefore be treated as a proper submission to the franchise. Mario World 2 was stunningly beautiful and featured some of the most original gimmicks in the Mario universe. The egg-shooting-system was a welcome novelty, and the baby-rescue-scheme kept the players on the toes. All in all SMW2 managed to be as different from its predecessor as it could be without taking a dive in quality.

Then Nintendo took the long overdue step into 3d. I'm not saying that because I wanted them to, since I am an absolute sucker for everything 2d, but because Sony kept feeding of Nintendo’s market and all of a sudden Nintendo got renown for only producing kiddy games while neglecting the grown up player. Super Mario 64, again sold in a bundle with Nintendo’s new baby the N64, was simply a masterpiece of a 3d Jump 'n Run and still puts a lot of games of this genre on the next gen consoles to shame. Nintendo put the focus on handling and gameplay, making it an absolute joy to maneuver the plumber through the multitude of colourful levels in Princess Daisy's castle. A lot of moves which were created for M64 would resurface in Mario Galaxy.

Sadly enough, Mario 64 was the only Mario-Game for the N64, which says something about how carefully Nintendo treated its mascot, since even Link got a second go on the N64 after pulling off perhaps the best game ever with "Ocarina of Time". Mario's next adventure, again the only Mario game for the Game Cube, left the players a bit disappointed. "Super Mario Sunshine", the Game Cube appearance of Mario, was seen as being too difficult at some points, the new feature of the water-boost-device was deemed tedious and many thought that the game lacked the ingenious gameplay that made all the other Mario games so special. As for me, I thought that Sunshine was the best Mario Game to date, even better than SMW or M64. I completely dug the new way of controlling Mario with the help of the water pack FLUDD and I loved, loved, loved the graphics. Sunshine had something that I thought and still think of as something very important for a Mario game: a widely accessible overworld. Delfino Plaza was huge and held loads of secrets, so that, even when you were not playing a level, you could still explore Mario Sunshine and discover new things.

Super Mario Galaxy, the first, and hopefully not the last Mario title for the Wii, got only top reviews when it first came out. EDGE magazine gave it a 10/10 and called Galaxy a platform game "More so than Mario 64 is; more so than any truly 3D videogame ever made". True, on some level Galaxy is innovation in its purests form. Since Mario in space defies gravity, one of the key elements in the earlier Mario games and any other Jump and Run, the developers replaced the obstacle of falling down with a bizarre multitude of possibilities how to explore the levels. Mario can be pulled into different stratospheres, jumping from one tiny planet to another. He can be pulled towards little stars via tractor beam, all coordinated by the wiimote, he jumps into a tube on one side of a planet and comes out on the other side, heads down and feet up and last but not least, he can get sucked into a black hole and like that, technically, fall down anyway. Perspective and controls really took a big leap in Mario Galaxy and still the game leaves a stale taste.

When I played it last year, I was soon annoyed with how easy about 90% of the game is. There are just a handful of real challenges. Allowedly, these challenges are tough, but they don't make up for the countless boring stars that are basically handed to you after climbing up a mountain or swimming through a lake. Some stars are obtained in about a minute, I'm not kidding. But the low difficulty rate is not the strongest point of criticism. Mario Galaxy, as dumb as that might sound, simply lacks the Mario flair that defined M64, Sunshine or SMW. Mario feels strangely displaced in the floating... well... surrounding, that is the Galaxy overworld. As opposed to M64 and Sunshine, the overworld of Galaxy is rather necessity than part of the game and like in SMW is just used to get Mario from one point to another. And that is a perfect example for the strange isolated feeling that the elements of Galaxy bare.

The levels are less worlds that Mario explores and finds new paths in and that open up to him in their entirety only after visiting them again and again but more like narrow paths that are sometimes to be taken in this direction, and for the next star to be taken in the other. Knowing that the worlds were far less developed than in the last two Mario console games, the team behind the game hid a lot less stars to be found in one level. Instead, different comets who altered the circumstances in one level or the other randomly approached the levels, so that another star could be obtained by fulfilling a task already done, with a time limit, faster enemy movement, or with a low energy bar. Some people might have gotten a kick out of it, i found it boring and uninteresting. While I couldn't wait to explore the little worlds that were the levels in Sunshine or M64, I never warmed to those of Galaxy, simply because often there wasn't anything to warm up to. You know how sometimes less is more? Well, in this case it definitely is not.

Whenever there was a bigger planet to explore and run around on, which made for the best moments in this game, Galaxy irritated me with the transformation mushrooms. As a bee-mario, or even worse elastic-spring-mario, or even much much worse ghost-mario, Nintendo evidently wanted to eradicate the last bit of nostalgia that the more down-to-earth (literally) levels provided, and forced you to transform Mario into one of those new forms to get to the star and complete the mission.

Not only were those new forms completely different to the more psychedelic and futuristic feeling of Galaxy, and felt more like an idea that didn't make it into Super Mario Bros. 3, they simply were not fun. I wanted to be able to acquire, advance and master the controls of the Mario character and thus be able to move on to harder levels that recquired for you to be good at double and triple jumps, saltos and air kicks. I really missed everything that made M64 and Sunshine so special. Instead they gave me elastic-spring-mario or ghost mario, which reduced and altered the movement and abilities of Mario and on top of that were so scarcely included in the game ( I think ghost mario could be played on two occasions max) that I thought of them as a tasteless joke.

The lack of secrets that have always been such a big part of Mario games, I'm just gonna mention in this tiny sentence, because I'm tired of listing the flaws of Galaxy. It makes me sad.

The reason I write this review, more than a year after Galaxy was released, is, that I started playing it again yesterday. When you finish Galaxy it allows you to play the whole game again, as Luigi, with awfully wobbly controls, which definitely increases the games difficulty. But, come on: more difficulty through awful controls? Tsk, tsk, tsk. An absoulte no-go for a Jump and Run. Anyway, I played the first couple of missions and was delighted by the feeling the game gave me, simply because I haven't played a Jump and Run in ages, and so I thought that what I felt about Galaxy when I played it last year, was just a phase that I grew out of and that I could appreciate Mario's new adventure much more so, than I could a year ago. But after an hour of playing, all those things that I disliked about it, came back to haunt me, and so I sat down and wrote this review. Mario Galaxy is a very good 3D Jump and Run for those who do not follow the adventures of the plumber since the dawn of the Super Nintendo, and for those who are new to the genre. But for everybody who loved Mario Games since they were little, and who can identify the quality of Mario games with the same things that I do, Mario Galaxy is a disappointment: A game that took millions of little innovative ideas, and failed to create a whole, but ended up with those millions of little ideas scattered throughout space like the stars in the milky way.




Mittwoch, 22. Oktober 2008

Garfield Minus Garfield

As a kid I was a huge fan of Garfield. I really dug his dry sense of humor, and also loved the whackier physical comedy of the strips. As I got older I kind of outgrew the fat cat a bit, since the strips are a bit repetitive and comics like Calvin and Hobbes or Peanuts are much more thought through, deeper and eventually more beautiful. I haven't really read any Garfield in the last couple of years, until a friend of mine asked me last night: ever heard of that website garfieldminusgarfield.net? When I said I had not, he showed it to me and... man it's genius. A guy named Dan Walsh came up with the idea of how the Garfield strips would be like if you would eliminate the main element in it: Garfield. The result is a depressing, sometimes disturbing and always hilarious look at Jon Arbuckle's life, which is in fact so sad, that his talking/thinking cat is the only being that really interacts with him. So what would Jon do without him? Go visit the website to check it out. I'm posting my ten favourite strips right here. Copyright lies with Paws Inc. Jim Davis is the creator and Dan Walsh the man behind the alternated strips.


10.
















This one gives a perfect example of how sad Jon's life really is. You gotta love the innocent, almost boyish smile in the last panel. He is so pleased with himself.


9.








Uhhh, this one is hard. Allowedly, it is way more depressing than it is funny, but hey, the fact that it is a portrait of an isolated, lonely, pathetic man put into a three-panel-strip deserves some kind of price.



8.








I love this one. What happens here? Is Jon too dumb to figure out how the telephone works? Is it ringing for the first time in his life and he just doesn't know how to handle the situation aka. the phone? Glorious.

7.








Ah, and here is the physical comedy. I love, how much better it is delivered without a sarcastic comment by Garfield. This shows the brutal truth. A picture of a man, who has nothing going for him. A man who's day is over before even having a breakfast! Yes!


6.








This is a completely new style of comedy for a Garfield comic that Walsh creates. This one doesn't make the slightest bit of sense. What is Jon thinking in the last panel? Is the content of the bowl his girlfriend? Is he catatonic? Or just crazy?


5.








This one might be the best strip to show how weird Jon really is. There is nobody in the whole house, yet he forces himself to sit in the cat bed. Why on earth would he do that? Also we learn that Jon might be mildly schizophrenic.


4.








Hmmm... Jon seems to talk to his coffee mug in this one. I love how it seems as if in Jon's head the coffee mug knows "what it means." Jon looks pleased.


3.








Dan Walsh managed to create a new joke out of this strip, that fits perfectly with the depiction of Jon in the other strips. In his progressing isolation, Jon even starts talking to salad and enquires about its well being. Awesome!



2.








There are many more like this one, but I like this best. It features Jon talking to nobody in the first panel, a classic grimace in the second one (for no apparent reason too) and an empty third panel. If you don't find this funny, I cannot help you.


1.











Ah, number one. Given, this strip is pretty funny even without cutting Garfield from it. But leaving out the initiator for Jon's egg and bacon face catapults this strip into a whole new level of hilarious. We have to assume that Jon put the eggs and bacon on his own face, and know after reading the whole thing, that behind that newspaper it's there already from the first panel on. For me, this takes the cake. Now go and check out the website.

Donnerstag, 16. Oktober 2008

Who the §X!?*+$% cheats at Mario Kart?

Seriously people. Who is that sad, that (s)he has to cheat at Mario Kart online? I bought this game right when it was published and for the first two months or so, it was hack-free. But disappearing and reappearing players who just vanish when they are right in front of you and then reappear quite a bit further down the road. While i can imagine that player falling in the pits and reappear a second later as if nothing happened are due to time glitches and do not really mean an advantage for anybody, there are now videos at youtube, showing how some morons screw other people over with a hacking tool called ocarina or something like that. And after being tollerant with all those who i clearly pushed into the lava and who then came back in an instant miraculously and stole my well-earned first place, today I just about had enough, when i played a couple of guys, one being called "up is down" beating them fair and square in a tight race on Bowsers Castle N64 only to let the ranking show me that i came in last, for whatever reason. So, what the frick? If you have to cheat, then go hack a bank or something, rob a casino. But down ruin online fun for other Mario Kart users. That's just plain mean. And stupid.